Dr. Archana Gaur
Associate Professor
Email: archanagaur.hin@rla.du.ac.in
Contact: 9811562434
CV File: View
| S.No. | Qualification | University / Institution | Year |
|---|---|---|---|
| 1 | Ph.D | University of Delhi | 2002 |
| 2 | MPhil | University of Delhi | 1996 |
| 3 | MA | University of Delhi | 1994 |
| 4 | BA | University of Delhi | 1989 |
• Natak and Rangmanch — Scholarly investigation into the relationship between the written dramatic text and its theatrical realization on stage, with emphasis on Hindi theatre traditions.
• Kavya Shashtra (Hindi Poetics) — Research and teaching in the classical theory of Hindi poetics, including aesthetic analysis of lyrical forms embedded in dramatic works.
• Comparative Literary Studies — Analysis of Hindi prose and narrative forms, including short fiction (Kahani) and essays (Nibandh), situating them within broader literary traditions.
• Rangmanch (Theatre)
• Natya Geet (Dramatic Songs)
• Hindi Prose & Poetry
• Kavya Shashtra
• Hindi Nibandh evam Anya Gadya Vidhayen (Hindi Essay and Other Prose Forms)
• Kavya Shashtra (Theory of Hindi Poetics)
• Natak evam Rangmanch (Drama and Theatre)
• Natya Geet (Dramatic Song-lyrics)
• Hindi Gadya Sahitya (Hindi Prose Literature)
• Guides students through the interdisciplinary intersection of performance studies, literary theory, and Hindi poetics (Kavya Shashtra).
• Prasad ke Natakon ki Sanrachna me Geeton ki Bhumika — Research article exploring how lyrical elements shape the overall architecture of Prasad's plays, published in an edited anthology.
• Contributed chapter in Hindi Naatak Nayi Parakh (Editor: Ramesh Gautam) — A critical anthology offering fresh perspectives on Hindi drama. ISBN: 978-81-85999-99-9
• Uttar Sanrachna Vaad ki Drishti se Madhushaala
• Kinnar
• Stri-Purush Sambandh: Manas aur Sambhavnaayen
• Strivaad
• Sant Kaavya Parampara
• Tapori Talk
• Collaborates with scholars and practitioners in the area of Rangmanch (theatre) to bridge academic research and live performance practice.